St. Vincent has opened up about her follow-up to 2021’s Daddy’s Residence, and it positive sounds fascinating. In a brand new interview with MOJO journal, the artist born Annie Clark mentioned her new album is “darker and tougher” than her most up-to-date mission and described its sound as “pressing and psychotic.”
Clark self-produced the album and recorded it at her personal Compound Fracture studio in LA, New York’s Electrical Girl, and Steve Albini’s Electrical Audio in Chicago. “I wanted to go deeper to find my very own sonic vocabulary,” she mentioned concerning the expertise. “I like to consider [the record] as post-plague pop, it’s lots about heaven and hell — the metaphorical varieties. Which is acceptable, as a result of sitting alone in a studio for that many hours I might say is a model of hell.”
She added that the album is stuffed with “plenty of guitars” alongside ’70s and ’80s analog synths. “It sounds pressing and psychotic, in equal components probably the most caustic sound and in addition, I believe, probably the most sonically blooming,” Clark mentioned. “It’s excessive stakes and intentional.”
Clark went on to explain it because the “least humorous document” of her profession. “The final document, I used to be approaching powerful topics with numerous biting humor and wit,” she defined. “This document is darker and tougher and extra near the bone… There’s nothing cute about it.”
With out going into particular element concerning the songs, Clark revealed that contributing artists embrace Foo Fighters’ Dave Grohl and John Freese, in addition to Cate Le Bon.
For the reason that launch of Daddy’s Residence, Clark has been busy masking different artist’s songs throughout stay performances, together with Kate Bush’s “Working Up That Hill (A Cope with God),” David Bowie’s “Younger People,” Portishead’s “Glory Field,” and Fleetwood Mac’s “Desires.”
Now, it’s time to listen to from St. Vincent as soon as once more.
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