Welcome again to Fan Chant, a weekly column for Okay-pop followers, stans, and newbies alike. This week, I’m thrilled to welcome again the besties from P1Harmony. And don’t neglect — for those who love studying Fan Chant, you may subscribe to my companion publication to get it delivered proper to your inbox every week!
The very first thing that’s noticeable about P1Harmony‘s power today is that they’re clearly pleased with their first full-length album, Killin’ It, which arrived this Monday, February fifth. This venture noticed a significant uptick in artistic involvement from the members, who finally ended up with writing credit on each tune right here — one thing of a rarity in Okay-pop today.
The second factor that jumps out, even over Zoom from Seoul a couple of days forward of their launch date, is how proud the members are of one another, speaking over each other and interjecting correct credit score at any level credit score could be due. “I composed and wrote among the songs,” Jiung begins. “He did a lot, really,” the group’s chief, Keeho, clarifies.
There’s been one thing of a development in Okay-pop over the previous few years that has seen an increasing number of teams lean into mini-albums in lieu of full-length releases. It’s additionally far simpler for acts to be handed an idea than to dive totally into lyric-writing or choreography selections; P1Harmony have achieved the alternative right here.
“Out of all of the albums we launched earlier than, that is the one the place we had essentially the most to say,” Intak explains. “It began from the smallest facial expressions within the choreography, to the dance itself and the music-making course of. I attempted to write down my very own lyrics and talked over the ideas lots with Keeho.”
“Intak and Jongseob have a whole lot of writing credit on this album, and rightfully so,” Keeho confirms. “They write and rap their very own verses.”
The title observe off the album is a powerful encapsulation of what helps P1Harmony stand out in an more and more crowded discipline of proficient artists: “Killin’ It” begins with an enormous, shiny beat, which the members use as a basis for throwback hip-hop components, a specific amount of playfulness, and attention-grabbing, zany visuals. It looks like a pure development from earlier tracks like 2022’s “Again Down” or the absurdly catchy “Do It Like This” — and the power doesn’t let up within the first three-track run of the album.
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