Johnny Depp was once Hollywood royalty: if he wasn’t fairly the king of the US movie trade, he was actually one among its dashing princes. However his crown has slipped. Following his much-publicised authorized battles along with his ex-wife, Amber Heard, Hollywood could also be extra reticent to forged him in blockbusters as of late. However they do issues otherwise in France. Not solely did Maïwenn decide Depp to play Louis XV in her costume drama, Jeanne du Barry, however the movie was picked to open this yr’s Cannes Movie Competition. It was a controversial selection – and that was even earlier than Maiwenn was sued by {a magazine} editor for assault. If the Competition’s organisers needed to declare that they didn’t care about standard opinion, this was actually one strategy to do it.
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It is a disgrace that the movie itself is so unremarkable. In addition to directing and co-writing it, Maïwenn stars as Jeanne Bécu, a lady from a humble background who turned the king’s favoured mistress within the 1760s. It’s the type of story which has been advised with revisionist, feminist pizzazz in Couch Coppola’s Marie Antoinette, Yorgos Lanthimos’s The Favorite, and Marie Kreutzer’s Corsage, however Maïwenn has opted for a extra conventional, stolid method that lacks each waspish wit and earthy authenticity. She takes us methodically by way of the important thing episodes in Bécu’s rags-to-riches life, however leaves a narrator to explain many of the dramatic moments. The palaces, frocks and metre-high wigs are suitably fabulous, however not in a manner you have not seen 100 instances earlier than.
It is disappointing, as a result of there are indicators early on that the movie may need a extra mischievous spirit. Bécu is proven as a woman who’s kicked out of a convent for studying racy books, after which she is proven once more as a younger lady who strikes to Paris and establishes herself as a sought-after courtesan, with the assistance of her aristocratic pimp, Le Comte du Barry (Melvil Poupaud). He arranges for her to satisfy the king, whereupon she casually submits to a gynaecological examination by the royal medics, and giggles on the palace protocol taught to her by a strict however sweetly affected person major-domo (Benjamin Lavernhe): nobody is allowed to show away from His Majesty after they depart a room, he explains, in order that they must click-clack backwards in tiny, shuffling steps.
In these introductory scenes, Depp’s casting abruptly makes good sense. Right here is somebody who is aware of what it’s prefer to have obscene wealth, and an entourage of lackeys who cater to his each whim, however by no means give him a second’s peace. With a captivating half smile and a roll of his eyes, he reveals us how bored Louis is with the rigmarole, and we will see why he is likely to be drawn to the irreverent Jeanne. Sadly, her irreverence would not final. As soon as she is put in within the Palace of Versailles, Louis’s grown-up daughters (caricatured because the ugly sisters from Cinderella) are scandalised {that a} commoner must be swanning round. However her radicalising affect quantities to … errrr … beginning a style for sporting stripy attire.
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