Dysrhythmia is again for the primary time in 5 years and – shock, shock – they’re nonetheless making good instrumental steel.
Dysrhythmia has introduced their new report Coffin Of Conviction and is now streaming the gorgeously complicated new single “No Breath After Magnificence”. The album additionally marks 25 years of Dysrhythmia, which is ideal timing contemplating Coffin Of Conviction can be self-released by way of guitarist Kevin Hufnagel‘s personal Nightfloat Recordings. Pre-orders can be found right here on Bandcamp.
“Coffin of Conviction is Dysrhythmia‘s ninth studio album and marks their twenty fifth anniversary as a band,” mentioned Dysrhythmia of the only and album. “Although the instrumental trio’s status for energetic, dense maze-like compositions are on full show right here, new tracks like ‘No Breath After Magnificence’ and ‘Gentle from the Zenith’ showcase the band’s deepening curiosity in house, subtly, and an environment of melancholia.
“Listeners might discover some shocking new textures for the band by way of using guitar synth on choose tracks. Moreover, the preliminary musical seeds for most of the album’s tracks started with guitarist Kevin Hufnagel composing drum concepts first to then write his guitar elements to. Subsequent drummer Jeff Eber would interpret and finesse these elements whereas bassist (and typically 2nd guitarist) Colin Marston would compose his elements atop that. This was a brand new writing strategy that proved inspirational to the band.
“Dysrhythmia honors its DIY roots with Coffin of Conviction. The album can be self-released by way of guitarist Kevin Hufnagel‘s personal Nightfloat Recordings imprint. Recording, mixing and mastering was achieved utterly in-house by the band’s personal Colin Marston at his Menegroth: The Thousand Caves studio in Queens, NY.
“An LP launch is deliberate for Fall 2024 via Brooklyn-based ‘grind in opposition’ label Nerve Altar. The haunting and surrealist work of Latvian-born visible artist Viktor Timofeev graces the album’s format. Thus, enhancing the album’s aesthetic and additional luring the listener into the labyrinthian world of the band’s auditory structure.”
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