Devin Townsend. The title conjures photos of a kaleidoscope of types, a unending exploration that shatters style boundaries with glee. To restrict him to the metallic label is like attempting to restrict the ocean in a teacup. Or to explain the Grand Canyon as a “gap within the floor.” But many nonetheless paint him in that nook alone.
His genre-hopping may ruffle some feathers, however Townsend shrugs it off. He isn’t confused by others’ confusion, he is bewildered by their insistence on musical segregation.
“It isn’t like in case you are in a sure style it’s best to restrict your self to that, in any other case you are stepping exterior. It is like there isn’t any nuance between opinions recently, is what it appears,” he defined in a latest chat with MusicRadar. “It isn’t like you may say, ‘I do consider that however I additionally consider that. I agree with you. I additionally agree with them, and someplace between that, it is a gray space. It isn’t so black and white.’ Listening habits for me had been by no means black and white. I cherished the whole lot – aside from the stuff that I did not love and I completely hated!”
“I feel once I first got here out individuals had been like, ‘I do not perceive.’ It appears indicative of some type of schizophrenic character dysfunction that you’d launch one thing like ‘Oh My Fucking God’ after which additionally do issues like ‘Factor Past Issues’, or do ‘Loss of life Of Music’, or ‘Punky Brewster’, and I used to be at all times confused by that as a result of I believed, ‘No. I like all of these various things.” Townsend added.
And it is that very freedom that fuels Townsend‘s artistic fireplace, unchained by style expectations: “It’s a easy factor. I’m a musician – not a genre-dependent musician. It is simply I really like all types of music. In the identical means that my aesthetic was knowledgeable by musical theatre, it’s precisely the identical with these listening habits I had in my 20s, proper?”
From the guttural growls of Strapping Younger Lad to the atmospheric shimmer of Ocean Machine, Townsend‘s sonic palette defies categorization. He is gushed over Judas Priest one minute, spun electronica yarns the following, after which serenaded you with a heart-wrenching ballad earlier than you can even blink. What he’ll conjure subsequent, will in all probability be something however black and white.
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