In a candid revelation, Benzino lately shared the origin story behind the creation of the Supply Awards. In keeping with him, the motivation for establishing the awards present stemmed from the Grammys’ historic lack of recognition and respect for the hip-hop style. In a press release that echoes the emotions of many within the business, Benzino make clear the enduring battle hip-hop confronted in gaining acknowledgment from mainstream award ceremonies.
“The rationale we made the Supply Awards: the Grammys weren’t giving hip-hop respect in any respect. This has been happening eternally,” Benzino asserted, laying the longstanding frustration inside the hip-hop group relating to the Grammy Awards. His phrases replicate a sentiment shared by artists who’ve usually discovered themselves neglected or under-appreciated by conventional award platforms. Furthermore, Benzino’s remark extends past mere frustration, delving into the perceived intentional actions by the Grammys to impress and disappoint hip-hop artists. “Thats why the Supply Awards was essential as a result of we management the narrative,” he mentioned. “What the Grammys simply did was f**ked up, cease supporting.”
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Benzino Speaks Out
Moreover, his comment, “they do issues on objective to piss hip-hop off,” unveils a deeper layer of systemic bias. Some consider this has continued inside the Grammy voting course of for years. This attitude challenges the integrity of the awards system, suggesting a deliberate sidelining of hip-hop artists. Whereas acknowledging the significance of artists like Killer Mike, Benzino raises questions concerning the current Grammy selections. Particularly in awarding three of the hip-hop and rap class Grammys to Mike. His skepticism suggests a broader critique of the Grammys, urging the hip-hop group to rethink its assist for an establishment that will not really signify its pursuits.
Furthermore, Benzino’s name to “cease supporting” the Grammys resonates with a rising sentiment inside the hip-hop business. The thought of empowering the group to regulate its narrative, as exemplified by the Supply Awards, turns into a rallying cry for artists to hunt recognition and validation from platforms that genuinely recognize the style’s cultural significance. In conclusion, Benzino’s candid remarks present a important perspective on the Grammys’ therapy of hip-hop. Because the hip-hop group grapples with ongoing challenges and strives for equitable recognition, Benzino requires collective motion. He urges artists and followers alike to reassess their assist for award platforms that will not absolutely embrace the essence and influence of hip-hop music.
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